Character Development In Sense And Sensibility :: essays research papers

Book Review 1Development of Major CharactersSense and impressibilityThe first of Jane Austens published novels, Sense and Sensibility, portrays the life and loves of two very different sisters Elinor and Marianne Dashwood. The contrast between the sisters characters results in their attraction to vastly different men, sparking family and societal dramas that are played out around their contrasting romances. The younger sister, Marianne Dashwood, emerges as one of the novels major characters through her handling and characterization of people, embodying of emotion, relationship with her mother and sisters, openness, and enthusiasm.Marianne is in the jejune business of classifying people- especially men- as romantic or unromantic (Intro II). Mariannes checklist mentality is observed by ElinorWell, Mariannefor one morning I think you build done pretty well. You know what he thinks of Cowper and Scott you are certain of his estimating their beauties as he ought, and you have every a ssurance of his admiring Pope no more than proper. (Chapter 10) To site a specific incident, Marianne describes her opinion of Edward Ferrars- her sisters interest- as being very amiable, nonetheless he is not the kind of man she expects to seriously attach to her sister. She goes on to find, what in her opinion are flaws, that Edward Ferrars reads with brusk feeling or emotion, does not count music highly, and that he enjoys Elinors drawing, yet cannot appreciate it, for he is not an artist (15).In a man, Marianne seeks a lover and a connoisseur, whose tastes coincide with her tastes. He must be open with feelings, read the same books, and be charmed by the same music (15). Marianne seeks a man with all of Edwards virtues, and his soul and manner must ornament his goodness with every possible charm (16). Mariannes mother relates Mariannes maturity beyond her years by reminding Marianne Remember, my love, that you are not seventeen. It is yet too early in life to despair of such an happiness (16). Mariannes brand of free expression sometimes has little else to recommend it (Intro, I). What is true of Mariannes classification system is true of her manners in general In her refusal to place social decorum and propriety above her own impulses and desires, she is absolutely unbending (Intro, II). Marianne is also characterized as being very charming. For example, she believes her poetic effusions to be striking in themselves as well as hi-fi expressions of her inner life (Intro, VII).